Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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PERUGINO, Pietro
Madonna, an Angel and Little St John Adoring the Child (Madonna del sacco) R

ID: 08511

PERUGINO, Pietro Madonna, an Angel and Little St John Adoring the Child (Madonna del sacco) R
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PERUGINO, Pietro Madonna, an Angel and Little St John Adoring the Child (Madonna del sacco) R


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PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia). Italian painter and draughtsman. He was active in Perugia, Florence and Rome in the late 15th century and early 16th. Although he is now known mainly as the teacher of Raphael, he made a significant contribution to the development of painting from the style of the Early Renaissance to the High Renaissance. The compositional model he introduced, combining the Florentine figural style with an Umbrian use of structure and space,  Related Paintings of PERUGINO, Pietro :. | Mary Magdalen | The Pazzi Crucifixion sg | Christ Handing the Keys to St. Peter (detail) as | The Vision of St. Bernard af | Tobias with the Angel Raphael sgh |
Related Artists:
Johann Heinrich Hintze
painted Berlin, Altes Museum von der Schlossfreiheit aus in 1832
Joseph Mallord William Truner
born: London, England; 23 April 1775 died: London, England; 19 December 1851.
Ludovic Piette
French Painter, 1826-1878.French painter. He studied at the Ecole des Beaux-Arts in Paris during the 1850s under Isidore Pils and Thomas Couture. He attended classes at the Acad?mie Suisse and made his Salon d?but in 1857 with The Scorpion Broom (ex-Mus. B.-A., Rouen). His early works were often based on literary sources and include The Phantoms (exh. Salon 1859) and The Witches Appearing to Macbeth (exh. Salon 1861). Piette only exhibited at the Salon on two further occasions (1872 and 1876), preferring instead to sell his work at auction in the H?tel Drouot. In the early 1860s he abandoned literary subjects in favour of working directly from nature, a shift that probably relates to his developing friendship with Camille Pissarro. This association is first documented by Pissarros portrait of Piette in his Studio (1861; Dr and Mrs Jordan H. Trafimow priv. col.) and an important correspondence between the two artists from 1863 to 1877 survives. Piette portrayed Pissarro painting out of doors (c. 1870; priv. col., see Pissarro, exh. cat., ACGB, 1980, no. 322).






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